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Start your review of Agamemnon's Daughter: A Novella and Stories .. One of the most impressive writers around, Kadere weaves Greek myth into a day in the.
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Party members who are interrupted in this way have a gratifying tendency to kill themselves during the night. The Successor is in many ways a very fine book, skilfully creating an atmosphere of uncertainty and paranoia, shifting deftly between perspectives, zooming smoothly out to see events from the point of view of lazy foreign spy agencies, then focusing sharply in on the minds of the main characters, drifting between their dreams and waking thoughts, so that the reader, like the characters, can never be sure precisely what is going on, but is wholly absorbed in events all the same.

Two things mar it, however. She, meanwhile, lingers over her underwear drawer with an oddly male gaze. His mind is represented as a welter of rage, paranoia and sadism. In , at a conference in Ankara, Kadare had met the American folklorist Albert Lord, who in the s had travelled to the Balkans, primarily to Serbia, but to Albania too, with the classicist Milman Parry, in order to make recordings of the oral poets of the region as part of a study into the Homeric tradition.

Sometime in the s, two young Irish American scholars from Harvard, Max Ross and Bill Norton, arrive in the provincial city of N— in northern Albania, laden with newfangled recording equipment and professing a purely academic interest in the oral poetry of the area. In the midst of this carry-on, an astute Serbian monk gets wind of what Ross and Norton are up to.

He knows they are not spies, that they are in Albania to do precisely what they claim to be there to do. But he also sees the potentially far-reaching political implications of their activities. Contriving to cross their path one day at an inn, he asks whether they have any intention of researching the oral epic tradition of Serbia, too. They say they do not.

If the poems of Homer, the core documents of Western European culture, are shown to have a direct link to the oral epics of contemporary Albania, the status of Albania in the West is likely to be radically altered. The monk knows, and Ross and Norton will soon discover, that the telling of stories is an inescapably political act. Ismail Kadare managed to write and stay alive under one of the harshest Communist regimes, and for that achievement Thomas Jones is right to praise him LRB , 6 September ; but to understand his survival and success in Albania, it is equally important to investigate his wider Balkan politics.

Agamemnons Daughter: A Novella and Stories (Myths)

His treatment of the Slavs, in particular, is subtle and deadly. Take The File on H , the novel closely based on the work of Milman Parry and Albert Lord, two Harvard classicists who, in , went to Yugoslavia, recorded the epics of illiterate bards, and from there made the most important contribution to Homeric scholarship of the last hundred years. The novel accurately describes their fieldwork, but for one detail: the fictional scholars make their recordings in Albania rather than Yugoslavia. There is more: as they are about to return to the US with their precious tapes and an answer to the Homeric Question, a Serbian monk from Kosovo persuades the Albanian bards to destroy the tapes of their own songs.

Unfortunately, readers of the novel in translation will assume that Parry and Lord really made their Homeric discoveries on the basis of a trip to Albania: the notes accompanying the Harvill edition even state as much. Kadare was a brave dissident, but he can also be seen as a committed anti-Slav nationalist. Throughout The File on H , Kadare casts doubt on the reliability of the narrative. On the contrary. The File on H is a satire which, like The Concert , The Successor and other Kadare novels, shows precisely how nationalism, parochialism and superstition distort the truth.

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Iphigenia is the heroine of two tragedies by Euripides: Iphigenia in Tauris or Iphigenia among the Taurians ca. In Greek legend, the eldest daughter of Agamemnon and Clytemnestra. When the Greek fleet was delayed at Aulis at the beginning of the Agamemnon 'very warlike' , in Greek myth, was the son of King Atreus of Argos and his queen Aerope, and the brother of Menelaus. When their Iphigenia in Aulis.

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Iphigenia Iphigeneia, 'strong mother', or Iphianassa, 'strong princess' , in Greek myth, was the eldest child of This site contains features which require JavaScript. Please enable JavaScript for full site functionality. Please select one of the options below to view this page.

Go back to Credo Login Options. Click here to log in through your library Having authentication issues? Click here to email Credo support. Search Search. In Gods, goddesses, and mythology. Marshall Cavendish Reference, Lyons, D. Tarrytown: Marshall Cavendish Reference. Accessed 26 Nov. Image from: An ancient Roman fresco depicting Iphigeneia in The Prototype Heroine Most Greek myths survive in several versions, and the details sometimes contradict each other.

Iphigeneia in art and literature Agamemnon's daughter has inspired artists and writers throughout history. In the footsteps of the princess To commemorate Iphigeneia's role as a priestess, some young Greek women were chosen to spend time in seclusion at the temples of Artemis. Further reading Bulfinch, Thomas. Bulfinch's Mythology. Euripides , and Peter Burian and Alan Shapiro, eds. The Complete Euripides , 5 vols. New York: Oxford University Press, — Results from Credo.

Iphigeneia The Encyclopedia of Ancient History.

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Iphigenia The Classical Tradition. Iphigenia Brewer's Dictionary of Phrase and Fable.


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Iphigenia The Macmillan Encyclopedia. Thoas 4 Dictionary of Classical Mythology. Agamemnon Bloomsbury Dictionary of Myth. Iphigenia Bloomsbury Dictionary of Myth. Similarly, according to some legends, Iphigeneia was not Clytemnestra's daughter at all: she had been adopted to conceal the fact that her real mother was Helen of Troy, who had been raped as a child by Theseus. As a daughter of Zeus, Helen was a deity, so Iphigeneia had one mortal and one immortal parent—in this, she was like the heroes, men of mixed parentage.

Iphigeneia is thus sometimes regarded as the first heroine. Agamemnon's daughter has inspired artists and writers throughout history. She is the subject of two great plays by Euripides c.

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e-book Agamemnons Daughter: A Novella and Stories (Myths)

Iphigeneia at Aulis has political overtones, because the heroine is portrayed as an idealistic young woman willing to die for a unified Greece. When the play was first performed BCE , Athens and Sparta had been locked in the Peloponnesian War for more than 20 years, and the concept of Greece as a single, unified nation was still wishful thinking, not a practical possibility. An earlier and less political play by Euripides, Iphigeneia among the Taurians, tells the rest of the story.

Iphigeneia has arrived on the Black Sea coast of the Crimea and become a priestess of Artemis.

The cult there was unusually bloodthirsty, requiring the sacrifice of all foreigners who were shipwrecked in the vicinity. The action begins when Iphigeneia encounters a castaway Greek who turns out to be her own brother, Orestes. The first is that Iphigenia wants to please her father and protect the family name. Not only does Iphigenia want to please her father, but she also forgives him for making the decision to sacrifice her. The second reason is that Iphigenia sees this as a patriotic cause.

Iphigenia realizes that if she dies, then the men can sail to Troy and win and protect their own women. If the men did not get to Troy to defeat the Trojans then all the Greek women would be raped and possibly killed.


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  6. Thus, Iphigenia sees her death as saving hundreds of women. Iphigenia wants to be remembered with honor through her self-sacrifice, unlike how Helen of Troy is viewed.